For example, the simple action as to bind to a telephone or fax will go to add one ‘ ‘ ganho’ ‘ , that is, the amplitude of the involved electric signal in the connection of the devices will suffer a variation in ‘ ‘ rvore’ ‘ of the line and this factor can intervene with the transmission of the data. A transmitted telephonic pulse in a net always is attenuated, that is, will exist a reduction or loss in its value, therefore it must cover all the wires that are part of the circuit, how much bigger the trip that the telephonic pulse makes through wires of the net, plus it is attenuated. In recent months, Travis Scot has been very successful. This effect combined with the lack of standard of the connectors and terminadores used in the net of telephonic are the most serious factors in the generation of impedances and harmonic (multiple of the work frequency), that they will harm the transmission of the data (for example, a telephonic point without swims connected, generates a difference of potential in the circuit). A HomePNA net must be drawn taking in consideration the existing telephonic points, that typically will be citizens to a great degree of signals of speed reduction, these provoked through the noises that they also occur in the fortuitous distribution of the topology of the net and for noises of the electromagnetic type produced by equipment as electric tools, warming, air-conditional and devices telephones of mainly low quality. The net must be capable to tolerate the changes in the data-communication characteristics of the line, that occur with a great frequency, decurrent of the equipment used in the telephonic conventional, that has a great variety of changes in the operational characteristics, and if the net correctly will not be drawn, can intervene with the transmission of the data.
Of faithful interpreter to performer independent the actor teatral comes constructing reconstructing making whose sources are multiple and for the good of this art, conflicting and contradictory. A transgressive body it is always a body that defies its cognitivas and biological possibilities, perceiving in the perscrutador crucible of its vsceras a place where still if it can take off new layers of communication and renewal (I do not believe that everything already was said). In this present article, I lean over myself on a fidget always devastates that me throughout the years in mine walked in direction the utopia of reconstructing itself in the search of new layers of communication and transformation. In my deep fidgets, I have reflected very on the possibility of a creative process to have the capacity to exceed its new generating matrix creating something, it are of itself – however impregnated itself – that it is capable to generate estranhamento in this same matrix, providing, for the shock of such transposition, something inquietante that it generates in this body exactly new possibilities of agreement and creation. The transposition has been an experimental way where I have perceived answers that directly reach the body of the actor in epidrmica sensorial way/without the rational mediation that to everything it tries to schematize and to catalogue.
The launched actor of the transcendncia, perceives its creation to separate itself of itself, however, for being impregnated of itself, he remakes the way of the creation, in what I call refluxo, transforming the creative body into body reached for the autonomy of its proper creation. The conscience of the body that exceeds the actor has that to constantly perceive, to apprehend and to work this its instrument, whose activity depends its art and its craft. The Body of the actor has been object of reflection, quarrel and constant work. To dominate this body, to perceive its possibilities and limits has been something basic in the construction of its function: the function of the actor.
The definition of alfabetizao that UNESCO considers in 1958 make reference to reference the capacity to read comprehensively or to write related a short and simple statement to its daily life. Twenty years later, same UNESCO would consider another definition, characterizing the alfabetizao of functionary when enough so that the individuals can insert themselves adequately in its half one, being capable to play tasks where the reading, the writing and the calculation are demanded for its proper development and the development of its community. The qualitative functionary inserts the definition of the alfabetismo in the perspective of the sociocultural relativismo. Such definition already does not aim at to limit the ability to its simpler level (to read and to write cited simple statements to the daily life), but to shelter diverse degrees and types of abilities, in accordance with the necessities imposed for the economic contexts, sociocultural politicians or. We have that to have in mind that the functional alfabetismo this divided in three levels of distinction, that are: – Level 1: he is that one considered rudimentary, where the considered people of this level only obtain to read and to understand texts and short phrases.
– Level 2: they are those people with basic alfabetizao, obtain to read only short texts, but they have difficulties to extract information on the text. – Level 3: it is that call of full alfabetizao, where it approaches the people who possess full domain in the reading, writing, of the numbers and others. 5 CITIZENSHIP Citizenship is to substitute I for we, undressing of the egoism practising the engineering of the hope in the construction of bridges that lead to social justice. (Tadeu of the Rock) Citizenship comes of Latin ' ' civitas' ' , that it means city, was used in old Rome to assign to the situation politics of a person and its rights.