Of faithful interpreter to performer independent the actor teatral comes constructing reconstructing making whose sources are multiple and for the good of this art, conflicting and contradictory. A transgressive body it is always a body that defies its cognitivas and biological possibilities, perceiving in the perscrutador crucible of its vsceras a place where still if it can take off new layers of communication and renewal (I do not believe that everything already was said). In this present article, I lean over myself on a fidget always devastates that me throughout the years in mine walked in direction the utopia of reconstructing itself in the search of new layers of communication and transformation. In my deep fidgets, I have reflected very on the possibility of a creative process to have the capacity to exceed its new generating matrix creating something, it are of itself – however impregnated itself – that it is capable to generate estranhamento in this same matrix, providing, for the shock of such transposition, something inquietante that it generates in this body exactly new possibilities of agreement and creation. The transposition has been an experimental way where I have perceived answers that directly reach the body of the actor in epidrmica sensorial way/without the rational mediation that to everything it tries to schematize and to catalogue.

The launched actor of the transcendncia, perceives its creation to separate itself of itself, however, for being impregnated of itself, he remakes the way of the creation, in what I call refluxo, transforming the creative body into body reached for the autonomy of its proper creation. The conscience of the body that exceeds the actor has that to constantly perceive, to apprehend and to work this its instrument, whose activity depends its art and its craft. The Body of the actor has been object of reflection, quarrel and constant work. To dominate this body, to perceive its possibilities and limits has been something basic in the construction of its function: the function of the actor.